Here's the best description I can think of for this movie: If David
Cronenberg directed his interpretation of Stanley Kubrick's 2001: A
Space Odyssey with the 80's flare and soundtrack of Drive, then you
would get Beyond the Black Rainbow.
That's really all you need
to know. For some people that sentence will be exciting and for others
it sounds terrible, and to be honest, it's kind of both depending on
what you're looking for. Beyond the Black Rainbow is the film debut of
director Panos Cosmatos and it's certainly interesting. It's vibrant,
experimental, visually arresting, slow-paced, confusing, ambiguous and
borderline pretentious at times, but it's definitely interesting. The
story follows a girl named Elena who is held captive in a space-age 80's
set called Arboria that looks directly out of a Stanley Kubrick film.
Elena is heavily sedated and held hostage by a creepily monotone villain
that is watching over her. Oh, and did I mention that Elena has a psychokinetic power to make your head explode a la Conenberg's Scanners?
Well she does.
If this synopsis sounds confusing, it's because
it is. It really doesn't shed much more light on the vague premise than
that. Cosmos has chosen to take a style-over-substance approach to his
film and I think it happens to work well. One spectacular scene in
particular shows our villain downing a handful of pills while the wall
behind him begins to melt like a bright red candle. It's scenes of
visual imagination like this that make up for the lack of storytelling
and characters in the story which makes it a pretty polarizing
experience. If you enjoy films such as Enter the Void, 2001: A Space
Odyssey, Moon, The Fountain, etc. that tend to shine visually more than
logically then I would definitely recommend checking this one out. Being
buzzed is highly encouraged.
3.5/5
Cody DeLarge
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